Hi John, agree on the LPL. A tiny amount of light escapes round the carrier, but minimised when you 'clamp' it down properly.
My little Fujimoto is also pretty good. They're so good, in fact, I have all my walls in the darkroom white to maximise the safelighting. In my last darkroom I opted for matt black behind and above the enlargers, but always felt it was a bit unnecessary as they didn't really leak any meaningful amount of light.
Cheers All.
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