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> Colour via BW Separations |
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#31
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thanks martin
I have been working on a alternate frame rgb idea for a few months nothing to do with film or darkroom but but possibly interesting anyway robin |
#32
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Quote:
Friese-Green seems to be undergoing re-evaluation because after restoration it's actually possible to view his films reasonably easily. The alternate dark frames of red & green primary colour apparently made for a migraine inducing experience! |
#33
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Quote:
http://motion.kodak.com/motion/Produ.../wrattten2.htm |
#34
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Ag Magazine Tricolour
Have attached a PDF reprint of an article by William Curwen who's worked extensively with tricolour photography, and written a scholarly overview of the technique. I missed it when it was first out!
This is from the late Chris Dickie's AG magazine, Autumn 2005. I'm sure the author or Chris would approve of recirculating it. |
#35
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Thanks Martin.
Ag magazine was a valuable resource, we could do with something similar today. Ian |
#36
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Thanks for this great article, Martin.
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#37
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A new invention, CHOCO-COLOR! Save on filter costs while working your way through a tin of Quality Street. A bit more R&D required, this wasn't onto film, just did 3 (d*gital) shots onto my phone, hopefully film will be a bit more tolerant. But a bit surprised it's working first attempt.
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#38
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Toffee-Color Actually Works!
After a problem with the Hazelnut Toffee switched to the Cocoanut Cream (more blue) & those 3 out of the Quality St selection, when used as filters gave this result.
The muted colour is surprisingly accurate, I just adjusted to match the grey scales on each of the 3 negatives. Taking saturation up +40 gets it to the sort of saturation one expects from modern colour materials, while again staying quite accurate. |
#39
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Quote:
Website - http://www.radekaphotography.com/ Masking Kits - http://www.radekaphotography.com/maskingkits.htm |
#40
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That's the man, Jerry. Thanks
Mike |
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