Support our Sponsors, they keep FADU free:   AG Photographic   The Imaging Warehouse   Process Supplies   RH Designs   Second-hand Darkroom Supplies  

Notices

Go Back   Film and Darkroom User > General discussions > Photography in general

  ***   Click here for the FADU 2015/2014 Yearbooks   ***

Reply
 
Thread Tools Search this Thread Display Modes
  #21  
Old 29th October 2010, 07:43 PM
Keith Tapscott.'s Avatar
Keith Tapscott. Keith Tapscott. is online now
Friend
 
Join Date: Jun 2009
Posts: 1,149
Default

Quote:
Originally Posted by HopALong View Post
Ilford Delta 400, 120. (the last 2 films that went milky were the same).

Fotospeed FX20 Rapid Fixer, mixed 1+9, temp 20 degrees, recommended time 2 minutes. I used to fix religiously for 5 minutes until the last 2 films went milky.
Use the fixer 1+4, not 1+9, it's too weak. Fix for 4 to 5 minutes with T-Max and Delta films and agitate vigorously every half a minute.

Last edited by Keith Tapscott.; 29th October 2010 at 07:50 PM.
Reply With Quote
  #22  
Old 29th October 2010, 07:46 PM
Mike O'Pray Mike O'Pray is offline
Friend
 
Join Date: Oct 2008
Location: Daventry, Northants
Posts: 8,983
Default

Yes. It is why I have twice got the clearest set of negs you could ever hope to see. Clear as in nothing there at all where exposures should be :

So to turn it into a more serious note, mark your dev and fix beakers so you never mix them up. If you pour in fix first and it is easier done than you might think instead of dev then you will clear the film of everything.

Mike
Reply With Quote
  #23  
Old 29th October 2010, 07:52 PM
Richard Gould Richard Gould is offline
Friend
 
Join Date: Dec 2008
Location: Jersey Channel Islands
Posts: 5,433
Default

We've all done that Mike, nearly put me of for life when I had really tried to take a very special photo only to get a pink roll of Verichrome pan, mind you,I was only 10 at the time
Reply With Quote
  #24  
Old 29th October 2010, 08:17 PM
Brian's Avatar
Brian Brian is offline
Friend
 
Join Date: Sep 2008
Posts: 102
Default

Quote:
Originally Posted by HopALong View Post
Just to confirm on this test strip test.
I can take a leader from a 35mm which has already been exposed to the light. I don't use developer or stop. I literally drop the strip straight into the fixer in the light and watch for its clearing time.
Once fully clear take the time and triple it and that's the fixer time for that particular fixer/film combination.
Ilford recommend that you drop a spot of fixer on the leader for 30 seconds prior to dropping into the fixer. In this way the 'spot' is 30 seconds ahead of the rest of the leader: when the spot is no longer visible the film is clear.
__________________
Brian Jeffery
Reply With Quote
  #25  
Old 29th October 2010, 10:24 PM
Mike O'Pray Mike O'Pray is offline
Friend
 
Join Date: Oct 2008
Location: Daventry, Northants
Posts: 8,983
Default

Quote:
Originally Posted by Richard Gould View Post
We've all done that Mike, nearly put me of for life when I had really tried to take a very special photo only to get a pink roll of Verichrome pan, mind you,I was only 10 at the time
That reminds me of another good tip. Never try and develop a film against too tight a deadline such as Match of The Day as I did on the second occasion of producing wonderfully clear negs.

Mike
Reply With Quote
  #26  
Old 30th October 2010, 07:22 AM
Dave miller Dave miller is offline
Friend
 
Join Date: Aug 2008
Posts: 6,322
Default

Quote:
Originally Posted by HopALong View Post
Just to confirm on this test strip test.
I can take a leader from a 35mm which has already been exposed to the light. I don't use developer or stop. I literally drop the strip straight into the fixer in the light and watch for its clearing time.
Once fully clear take the time and triple it and that's the fixer time for that particular fixer/film combination.
That's correct, but double the clearing time is enough, we only double the time as a safety margin, I believe that it is possible to over-fix a film and thereby remove detail. Tony's & Brian's tip about putting a drop of fixer on the film first is a good one which makes it easier to see when the film has cleared. Note that you should agitate continuously whilst fixing.

Be aware that fixer (just like the other chemicals we use) exhausts, so each time it is used the clearing time should be rechecked. You will find that it gets longer. Without going into why that is I suggest that you use fresh fixer for your films to start with. You can then use the fixer for your prints.
__________________
Regards
Dave
www.davids.org.uk
Reply With Quote
  #27  
Old 30th October 2010, 05:18 PM
MartyNL's Avatar
MartyNL MartyNL is offline
Friend
 
Join Date: Sep 2010
Location: based in The Netherlands
Posts: 3,348
Default

Quote:
Originally Posted by Keith Tapscott. View Post
Use the fixer 1+4, not 1+9, it's too weak. Fix for 4 to 5 minutes with T-Max and Delta films and agitate vigorously every half a minute.
I think Keith's hit the nail on the head.

Even with Ilfords rapid fixer the 1+9 "economy" dilution is only recommended with paper development otherwise 1+4 for both film and paper.
__________________
MartyNL

“Reaching a creative state of mind thru positive action
is considered preferable to waiting for inspiration.”
- Minor White, 1950
Reply With Quote
  #28  
Old 30th October 2010, 05:54 PM
cliveh's Avatar
cliveh cliveh is offline
Friend
 
Join Date: Jul 2010
Location: West Coornwall
Posts: 937
Default

Quote:
Originally Posted by Mike O'Pray View Post
So to turn it into a more serious note, mark your dev and fix beakers so you never mix them up. If you pour in fix first and it is easier done than you might think instead of dev then you will clear the film of everything.Mike
If you colour code the containers for dev, stop, fix, say blue, yellow and red, there is less chance of this happening.
Reply With Quote
  #29  
Old 30th October 2010, 06:37 PM
Richard Gould Richard Gould is offline
Friend
 
Join Date: Dec 2008
Location: Jersey Channel Islands
Posts: 5,433
Default

Solved that problem, fix is stored in a squezy bottle with a red top,stop in same bottle, with black top and as developer is mixed just before as needed that is in the cylinder Richard
Reply With Quote
  #30  
Old 1st November 2010, 09:20 AM
HopALong's Avatar
HopALong HopALong is offline
Friend
 
Join Date: Jul 2010
Location: NorthEast UK
Posts: 56
Default

Thanks again for everyones help.
With a 1+4 mix I found the film cleared in 3 minutes.
I therefore fixed the next film with the stronger 1+4 mix for 6 minutes and hey presto it was clear.


Andy
Reply With Quote
Reply
Support our Sponsors, they keep FADU free:   AG Photographic   The Imaging Warehouse   Process Supplies   RH Designs   Second-hand Darkroom Supplies  

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Similar Threads
Thread Thread Starter Forum Replies Last Post
Yellow Black and White Negs HopALong Photography in general 12 20th September 2010 08:19 AM
dsmall dark spots on negs mrcamm Ask Les 2 14th July 2010 06:21 PM
Bent/Warped Negs RobReglinski Monochrome printing techniques 6 28th January 2010 08:46 PM
Blue Foma 200 negs Miha Monochrome Film 9 10th January 2010 11:24 AM
PMK - Part B very milky Argentum Chemical formulae 7 12th January 2009 07:10 PM


All times are GMT. The time now is 05:34 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.