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> Drying FB prints flat. |
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#1
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Drying FB prints flat.
This was a response to another FADU members query but I thought it may be more useful as a wider thrown question. Sorry if this has been covered elsewhere.
For exhibition purposes I used to dry mount FB prints, but do so no longer due to archival issues. Yes a mounted print is easier to handle and fame and it looks lovely and flat but I can't bring myself to do so anymore. Drying a FB print flat is difficult due to the paper fibres and the emulsion drying for different times but back to back drying and pressing works well enough. Do any other FADU members have other successful flat drying techniques to impart? |
#2
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Dry the prints back to back pegged on a line,put 1 clothes peg on each corner of the back to back prints then peg them to a line,the prints sort of pull against each other and dry pretty much flat, finish by putting prints between two sheets of mounting boards under a pile of books and 2 or 3 days later lovely flat FB prints
Richard
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jerseyinblackandwhite.blogspot.com |
#3
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Dave Miller wrote about a method of drying FB prints flat in the article section on the forum. The method he describes works well - I have used it for many years.
Mark |
#4
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I agree with Mark Snowden that Dave method works very well. I use an adapted method of Dave original. The Technic is one I used to use when using water colour paints to stop the paper bubbling when applying the paint to the paper.
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Mitch http://photomi7ch.blogspot.com/ If you eliminate the impossible whatever remains no matter how improbable must be the truth. |
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Quote:
Alan |
#6
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I also took up Dave's way of drying my FB prints and am quite happy with it.
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Cheers Vincent - Not afraid of the dark |
#7
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I lay the wet prints, just out of the washing bath and wiped, on old frames with glass or plexiglass emulsion up. They just stick there. I leave them there to dry. They dry a bit bowed but I can cure that by pressing them under a stack of books. In the end they're ready to be mounted. If not mounted the curl tends to come back at some extent.
Cheers, M. |
#8
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I got permission to publish Dave's method on my blog a while back. I included a lot of tips that I found on APUG so there might be something new there if you fancy trying a different method.
http://www.theonlinedarkroom.com/201...lattening.html |
#9
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Drying flat
It may sound a bit crude, but believe me it works. Just let the print dry naturally at roomtime temperature then I turn them over onto a table in which I have place a multifolded sheet. I then use an ordinary domestic iron set at a low temperature (try the 'silk' setting).
Placing the print face down I iron it all over starting at one corner then to another and working my way down. Don't use too much pressure. There will be enough residual moisture left in the paper to ensure the print is flat enough to mount using spray adhesive. If there is still a curl, again with the print face down, place a straight edge on the back of the print (I use a biece of rounded doweling so there are no sharp edges) and with light pressure pull the paper though under the straight edge aganst the curl of the paper. That will get it as flat as you ever will do without resorting to a heated drying drum or flatbed. One downside is if you have not washed the print properly before the initial drying, using the iron may cause the emulsion to turn a slight yellowish or magenta tone in patches where the fixer is still present. The heat hastens the aging process I have some prints used in my ARPS assessment which I dried and flattened using that method, that are now over 20 years old and are still as good as the day they were made. Last edited by John King; 25th April 2015 at 09:32 AM. |
#10
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Silverprint sell archival blotting paper
Sqegee the water off the FB print, then put in first pair of blotters with something like a book on top for 20 mins, then the next set for 2 hours then the 3rd set overnight This is my prefered way, pain in the ass but worth it Them heated print dryers cook the print Paddy |
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