Support our Sponsors, they keep FADU free: AG Photographic The Imaging Warehouse Process Supplies RH Designs Second-hand Darkroom Supplies |
> Kodak Vision3 500T |
*** Click here for the FADU 2015/2014 Yearbooks *** |
|
Thread Tools | Search this Thread | Display Modes |
#11
|
|||
|
|||
Quote:
Yes, just the developer. The rest of the C41 chemicals being used as normal. I’ll see if I can find the post and provide a link. Sent from my iPhone using Tapatalk |
#12
|
|||
|
|||
I think you require different amber filters depending on the lighting conditions. I have ordered an 85B, but may also pick up 85A and C filters as well. They can be used in combination with the 81 series for further flexibility. This is all theory, of course, because I haven’t used the film yet. I have a colour temperature meter which I may use, but I’m not necessarily too bothered about accurate colour rendition. I thought the film would be good for city shots at night, when things return to normal (if they ever do).
Alex. Sent from my iPhone using Tapatalk Pro |
#13
|
|||
|
|||
Quote:
It looks like N&T may have deleted their blog posts promoting the use of RA-4 developer in place of ECN2 (probably because they now sell the ECN2 kits). However they do sell 1Litre kits of RA-4 developer for this express purpose, and offer the following guide: https://ntphotoworks.com/wp-content/...mjet_Insts.pdf |
#14
|
|||
|
|||
Question re remjet removal
I have no experience of ramjet removal, but reading on the subject I have the impression that it can be removed mechanically (with a sponge) at the end of the (one-shot) processing, before stabilising. Any info?
|
#15
|
|||
|
|||
Tungsten film
Quote:
Unlike d***** origination, adjustment at the printing stage introduces "crossed curves", which can never be corrected satisfactorily because of the typical "S"=shaped characteristic curve of silver-halide emulsions. So filtering on the camera is essential when shooting in daylight or electronic flash. It's worth reading up on Mired shift, a straightforward scale for describing the degree of correction required. |
#16
|
|||
|
|||
Thanks Jonathon. That is very useful. I have a Gossen colour meter, and have ordered some correction filters. I will read up on Mired shift. It’s not something I have any experience of , but sounds interesting.
Alex Sent from my iPhone using Tapatalk Pro |
#17
|
|||
|
|||
I am assuming that while in daylight the 85B takes your 500T speed down to 320 which is not problematic as Jonathan says, it has the advantage of giving you full speed for night shots with authentic colours v daylight films which might make indoor night shots especially too warm?
Mike |
#18
|
|||
|
|||
I should have written 'enhanced blue sensitivity' - sorry
|
Support our Sponsors, they keep FADU free: AG Photographic The Imaging Warehouse Process Supplies RH Designs Second-hand Darkroom Supplies |
Thread Tools | Search this Thread |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
Kodak D76 Dev | KidderJem | Darkroom | 20 | 2nd November 2017 06:07 PM |
WTB Kodak Vision2 or Vision3 250D film | Domingo | Sale or Wanted | 5 | 26th January 2014 11:19 AM |
Kodak Film and Paper - New Ownership by the Kodak U.K. Pension Fund | Mike O'Pray | Photography in general | 24 | 14th May 2013 06:17 AM |
Kodak AZO. | Keith Tapscott. | Auctions of Interest | 3 | 17th December 2010 04:51 PM |
Kodak T- Max Developer OK for Kodak Tri-X 400 | kennethcooke | Monochrome Film | 5 | 13th March 2009 09:49 AM |